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When Walt Disney died in 1966, many predicted that it might be the end of Walt Disney Productions, but Walt had a number of ideas and concepts that lasted well into the next decade. He also left behind a well-established group of workers that hoped to continually answer the question, “What would Walt do?” with more magical creations that would dazzle and delight.
With this book, author and historian Mark Arnold explores the major accomplishments of Walt Disney Productions during the years 1966 – 1985, paying particular attention to their theatrical film output, but also discussing the various new theme park attractions and the TV shows produced during that period.
Things went well until the mid-1970s, when ideas started to run thin and repetition set in, causing shrinking box office success. By the 1980s, threats of corporate takeover were knocking at their door, at which time change had become unavoidable if Disney were to survive as an independent company.
Disney had to change their already outdated methods of making movies and running a movie studio geared solely towards family entertainment. As a result, Michael Eisner took over and retooled Disney into the mega-empire that it is today. This is the story after Walt and before Michael…
Available from publisher in both paperback and ebook
Includes two slimline case clamshells; one featuring two theatrical discs and the third disc in its own case features all of the "New Casper Cartoon Show" episodes.
The 20-page full-color booklet looks fantastic. Written by Mark Arnold, it is crammed with tons of information including where every episode appears in comic books, when applicable.
Mark Arnold Picks On The Beatles is a song-by-song review by Comic Book and Animation Historian Mark Arnold of literally every song The Beatles ever recorded, both group and solo, released and unreleased.
The book features previously unpublished artwork by Bill Morrison (The Simpsons), who also drew the front cover, Jack Kirby (in a drawing presented by Kirby to Paul McCartney back in the 1970s), Patrick Owsley (Classic Media licensee artist) and many, many others.
Available from publisher in both paperback and hardcoverPaperback Edition
A remarkable and amusing retrospective of Cracked magazine, the best-selling humor magazine in the world . . . if you don't count Mad! The secret origins of the magazine, covering its history with former and future Mad and Marvel Comics contributors John Severin, Jack Davis, Don Martin, Bill Elder, Jack Kirby, Steve Ditko, and Al Jaffee, along with Cracked veterans Bill Ward, Don Orehek, George Gladir. Cracked was responsible for launching the careers of award-winning alternative cartoonists, including Dan Clowes, Peter Bagge, and Bob Fingerman. Crammed with creator interviews, rare photos and art, and a complete checklist of every issue! A must for comics fans and purveyors of popular media.
Here at last is the real story of how TTV was formed! Inside you will find rare production artwork and storyboards, as well as reminiscences from TTV's founders.
"Mark Arnold is the guy who the other authorities on comic books and animated cartoons turn to when they're stumped for an obscure tidbit of pop cultural information; he always delivers the goods." - Scott Shaw, cartoonist
Available from publisher in both paperback and hardcover
or contact me at firstname.lastname@example.org for more information!
Some people will go to extreme lengths to get a job! A wonderful time was had by all!
Let Fun Ideas be your creative consultant to your print and video production needs. We will do the research, write the articles, create the stories, do the interviews for you. Send email now! to contract Mark Arnold for your next creative project.
"Mark Arnold is the editor and publisher of THE HARVEYVILLE FUN TIMES, a fanzine which covers Casper, Richie Rich, and other Harvey Comics stars with a winning combination of bemusement and respect. This time out, in addition to the latest issue of the FUN TIMES, he sent a copy of GIANT SHANDA ANIMAL #8 (Shanda Fantasy Arts; $4.99), an anthology of anthropomorphic comics stories. Arnold has the cover and lead spot in this year's ANIMAL with his 50th-anniversary tribute to Richie Rich. "A Treasure Chest of Riches." Drawn by Shelley Pleger, the tale pokes gentle fun at the "Willy Wealthy" comic books of olde. Arnold kids because he loves, and his fondness for Richie comes through loud and clear. This is a fine story and I hope we see more of Arnold's comics writing in the years to come."
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